Frida Kahlo’s paintings are deeply personal, often autobiographical, depicting her physical pain (from her accident, surgeries, and lifelong health struggles), emotional turmoil (her turbulent relationship with Diego Rivera, miscarriages, and infertility), and her identity (Mexican heritage, womanhood, political beliefs) Kahlo sees herself as a realist, however widespread public perception by the art community and critics consider her a surrealist. André Breton, the founder of Surrealism, visited Mexico in the 1930s and described Kahlo as a natural surrealist, “a ribbon around a bomb.” He showcased her work in Paris as part of the Surrealist movement. Kahlo herself resisted this, saying “They thought I was a surrealist, but I wasn’t. I never painted dreams. I painted my own reality.”